![]() Taking Gaston's brand new automobile, the two men follow Liane to Honfleur where Gaston pays the skating instructor to leave Liane, then rebukes her in a restaurant and declares their association over. When Gaston hints that he will end his relationship with Liane through a note, Honoré insists that the break-up must be in keeping with Gaston's stylish reputation. The next morning Gaston tells Honoré that he is deeply insulted to have learned from private detectives that Liane is secretly seeing her skating instructor. That evening while dining with Liane and Honoré at Maxim's restaurant, Gaston realizes that despite Liane's effusive attentions, her thoughts are elsewhere. Gigi startles Gaston when she declares that she finds Liane common and coarse. Delighted by Gigi's guileless nature, Gaston invites her for a glasé at the skating rink, where his current lover, Liane d'Exelmans, is taking skating lessons. Confused about what eating, jewelry and tobacco have to do with art, Gigi heads home and runs into Gaston, who has been visiting Mme. ![]() After showing Gigi how to distinguish fine cigars, Alicia reminds her niece that everything she is learning has a purpose and admonishes her to remember that love is an art. Gigi concedes she is aware that the women in her family are unusual in that they never marry, but remains puzzled by it.Īlicia then advises Gigi of the importance of recognizing expensive jewelry and cautions her never to accept second-rate baubles or men. When Gigi laments that she is never allowed to accept invitations and has no friends, Alicia explains that she is not to mingle with ordinary people who live ordinary lives. Meanwhile, at her weekly etiquette lessons with her regal great-aunt Alicia, Gigi struggles to stifle her natural buoyancy while learning about the intricacies of dining. Alvarez, Gigi's grandmother and guardian. To Honoré's surprise, Gaston admits the only place that he can relax is at the modest flat of Honoré `s former paramour, Mme. Later, Honoré meets his elegant nephew Gaston, the wealthy heir to a sugar empire, who declares his weariness at being the center of Paris society. Minnelli, I’m so sorry, but this is the head waiter of Maxim’s! This is not an actor.In 1900 Paris, Honoré Lachaille, elderly connoisseur of beauty and fashion, strolls through the Bois de Bologne, appreciating the splendor of youth personified by spirited school girl Gigi Alvarez. ![]() Minnelli’s assistant rushed over, whispering into the director’s ear, “Mr. “Will somebody teach that man how to hold a menu?” he called. Finally, Minnelli pointed to the headwaiter. Caron remembers Minnelli asking them to repeat the sequence over and over, without explaining what was wrong. ![]() ![]() At the beginning of the scene, Caron and Louis Jourdan were to sweep into the restaurant, greet the headwaiter, and receive menus as they sat down at their table. The extras themselves baffled him a bit more. During a crowded scene at Maxim’s, he used the restaurant’s art nouveau mirrors to emphasize the colored plumes and top hats of the stylish throng-painstakingly positioning his equipment so that the period elements could be seen, but his electric lights and cameras could not. “In 1900, nobody smiled-let your face repose.”ĭirector Vincente Minnelli insisted on authenticity as well. “Don’t smile,” Caron remembered Beaton telling her. “He never stopped!” The images, taken in natural light, are as evocative of Gigi’s production as they are of its Belle Époque period. “Between scenes, he would drag us into the landscape and make beautiful portraits of us,” she said. Caron recalled that Beaton was also responsible for Gigi’s lavish scenery, though he was uncredited for it, and that he took photographs on his own throughout filming. ![]()
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